Medinight
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Daryl Dixon und Merle Dixon sind als die Zombies ausbrachen, um hergezogen und innerhalb der Saviors aufgestiegen. Die Brüder werden sogar zu Leutnants von Negan ernannt. Während dessen muss Beth mit ihrer Familie von der Farm fliehen und im Gefängnis ein neues Leben aufbauen.
Das Schicksal bringt Beth und Daryl auf grausame Weise zusammen. Daryl ist von Beth fasziniert. Aber in Sanctuary hat alles einen Preis... besonders wenn Negan von seinen Leutnants absolute Loyalität erwartet.
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Der Krieg zwischen den Königreichen Alexandria und Woodbury spitzt sich zu. König Rick ist bewusst, dass er Unterstützung braucht. Zwischen seinem Reich ist nur noch das Reich der Dixon, welches sein Reich von den Mächten Sanctuary und Woodbury trennt. Ein Bündnis mit den Dixon soll das Königreich schützen. Jedoch fordert der alteste Dixon Bruder als Tribut eine Ehefrau für seinen jungen Bruder aus dem Hochadel von Alexandria von Rick ....
Mir gehört the Walking Death und die Figuren nicht. Diese Geschichte dient allein der Unterhaltung der community.
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They struggled on the road, not sure if they would ever find a permanent place where they could be safe and just live.
Daryl worried about all the same shit the rest of them did, but maybe he worried about her a little more than he should.
ZA AU Follows Canon Closely in the initial Chapters, but later we diverge from canon and into our own Bethyl story. -
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During her time at the prison, Beth Greene is forced to mature prematurely, becoming part of a larger group and forming a maternal bond with young Judith. She tells herself that growing up is essential for survival because she must be strong both mentally and physically in a world where walkers can bite at any moment. This deepens her connection with Daryl Dixon, and Beth begins to see him less as Judith's uncle/adoptive father figure, a role Rick do not fulfill all times, and more as a man.
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In a world where the apocalypse starts six years later, Beth Greene’s world still falls apart when she’s sixteen. Her boyfriend Jimmy dies while on the way to pick her up for a date, and her misplaced guilt causes her to spiral. When a drunken hookup with a stranger results in a pregnancy, Beth’s family pressures her to give the baby up for adoption. However, she runs away from home instead. And when she loses the baby, she doesn’t return.
Two years later, Beth finds herself pregnant again and she enters into a platonic marriage of convenience with a single father named Daryl Dixon. Four years after that, the dead start walking and she’s forced to face the family she left behind.
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When the world ends, Daryl Dixon is over forty with a 22-year-old wife and two kids, aged six and four. To anyone who doesn’t know him, he looks like a creep. But Daryl doesn’t care about looking like a creep. He only cares about keeping his family alive. In fact, he’s so focused on keeping his family alive that he fails to realize that his wife’s family also thinks he knocked her up at sixteen. He also doesn’t realize that his wife is in love with him.
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All she could think about after was how close she came to being burned—
stranded in a storm at a dead bus stop with a stranger, lip split, knuckles busted open and still bleeding.Eyes like lightning caught wrong, mean and bright.
And after—
that taste sitting heavy in her mouth.
Copper.
Like she bit into something living… and didn’t spit it out.
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He wasn’t like anything she’d ever known.
This life wasn’t either.
A world of excess and decadence, of crystal chandeliers and champagne flowing like water, where beauty is built on a foundation of blood and violence—and every road seems to lead back to Daryl Dixon.