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A slow-burn Maddy/Rue collection written in prose poetry vignettes. Rue notices everything. Maddy plans everything. Neither of them knows what to do about it until the makeup. The lamp stays on.
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He deserved the soft and careless world from the movies and the picturesque California that raised him; she deserved to be heard in a world not entirely made for her, the world that favoured bodies and empty-headedness. In the gaps between chaos and obligations, Fez and Lexi become a careful identity of shelter for one another between the quiet nights and bright days that surround them.
Their careful intentions both ground in respect and understanding, Lexi's bystander life has started to overlap with the soft-hearted duality of Fez. Two sides of an almost silent and surreal reciprocity that neither can seem to find the words to say out loud.
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It’s 1989, Rue is about to begin her junior year of high school when stories of a mysterious boy who moved from the city start to swarm her mind. Jules is hard to pin down, but soon Rue learns he’s more than meets the eye.
Focused mainly on an alternate Season 1.
This will basically only focus on Rules and Jules’ kinda forced coming out to Rue. Some Plot lines vaguely change, some barely and some completely.
TW: Light Transphobia and Misgendering. Jules isn’t out but still goes by Jules. -
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Everyone thinks Maddy Perez stays with Nate because she loves him.
Nobody knows her mother is sick.
Nobody knows Nate pays the bills.
Nobody knows Maddy counts every bruise against another day her mom gets to stay alive.Except Rue. Eventually, Rue finds out everything.
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Rue explains her adulthood after signing a contract for WNBA Atlanta Dream,While entering adulthood she weirdly becomes friends with Kat since the two both went to UCLA,One day Kat tells Maddy and BB how rue got a contract with the Atlanta Dream team leaving them shocked,this story follows the group’s adulthood and Maddy And Rues Story.
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𝙀𝙈𝙊𝙍𝙄 𝙈𝙊𝙊𝙉 𝙇𝙀𝙍𝙊𝙔 and Ashtray O'Neill
should never work. They're an odd pair,
the worst one of the highest degree. They
really never should've met. And yet, with
one infinitesimal blip in the universe, they
decided for themselves that they were
meant for each other anyway.
❝ 𝐥𝐞𝐭 𝐮𝐬 𝐝𝐢𝐞 𝐲𝐨𝐮𝐧𝐠 𝐨𝐫 𝐥𝐞𝐭 𝐮𝐬 𝐥𝐢𝐯𝐞 𝐟𝐨𝐫𝐞𝐯𝐞𝐫 ❞
ashtray x woc!ocIN THE PROCESS OF REWRITING !!!
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A rewrite of Season 3 of Euphoria for Gits n' Shiggles.
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Madeleine Perez doesn’t need a bodyguard.
She’s been navigating her own life since before anyone knew her name — the rooms, the cameras, the specific weight of being watched everywhere she goes. She knows how to handle attention. She’s built a career on understanding it, managing it, using it. Whatever situation her team thinks requires a solution, she is more than capable of being the solution herself.
Rue Bennett is not interested in Maddy’s opinion on this.
She shows up at eight-fifteen on a Tuesday, drinks neither of Maddy’s coffees, says less than anyone Maddy has ever met in a professional context, and notices absolutely everything. She’s been doing this job for seven years. She has a ground rule. It’s the same one every time: don’t make my job harder than it needs to be.
Maddy immediately makes it harder.
At Close Range is a story about a celebrity who is used to being the most observed person in every room and the bodyguard who changes what being observed means — told in the specific, slow, maddening space between professional and something else entirely.
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East Highland teaches girls how to look beautiful while falling apart.
After getting expelled from her private school in Chicago, Sloane Marquez is sent to live with her cousin, Maddy Perez — East Highland’s untouchable it-girl with perfect eyeliner, perfect posture, and a relationship slowly destroying her from the inside out.
Then there’s Rue Bennett.
Rue sleeps in Maddy’s bed like she lives there, disappears without warning, comes back bruised and exhausted, and somehow still has Maddy wrapped around her finger. Their relationship is obsessive, volatile, humiliatingly intimate.
Living inside Maddy’s house means Sloane witnesses everything:
the screaming matches,
the parties,
the relapses,
the hospital nights,
the moments so soft they almost make the destruction worth it.And in East Highland, everybody watches girls fall apart like it’s entertainment.
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rue bennett knows better than to get involved with maddy perez. maddy is polished, dangerous, and impossible to ignore. rue is chaos with a pulse, trying to outrun herself one bad decision at a time.
what starts as a blurred line relationship hidden with secrecy becomes something darker: a secret dependency built on jealousy, manipulation, and the thrill of being understood by the worst possible person.
as rumors spread, relationships collapse, and old enemies close in, rue and maddy keep returning to each other like a fire they know will burn them alive.
because some people aren’t meant to save you.
some people just know exactly how to ruin you. -
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"That's why I fucked your bitch."
READER'S NAME IS LAVENDER (pls spare me I hate y/n)
I'll write a summary when I get to it...
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I'm Not Gonna Teach You How To Dance With Your Girlfriend by Anonymous
Fandoms: Euphoria (TV 2019)
03 May 2026
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“So you want me,” Maddy said slowly, pouring herself sparkling water, “to teach you how to dance. So you can ask the ethereal Jules Vaughn to the fucking Formal and not humiliate yourself when you’re there.”
“Basically.”
“And why would I do that?”
“Because you’re my friend,” Rue said, the words feeling small. “And you know how to do this stuff. You know how to… perform. I don’t.”
Maddy leaned against the countertop, studying her. Rue could see the calculations happening behind her eyes.
Then, a slow smile spread across her face.“You’re right. I do know how to perform.” She took a sip. “And watching you try to learn might be the most entertaining thing to happen to me since I dumped Nate’s shit on his front lawn. Okay.”
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After fez took you in you became part of the O'Neil family and a respected member of the drug world fez and Ash protecting you at all costs. You never even thought that you and Ash could be more than friends bur fate has something else planned.
THIS IS NOT A STORY WITH A SAD END NOBODY WILL DIE.!!This story is also on my wattpad
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loveWannaWalton -
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Madeleine Perez doesn’t share the beach. She’s been the best surfer on this coast since she was fourteen and she didn’t get there by making room for people who don’t belong. The rules of this town are simple: surfers on one side, bikers on the other, and everyone stays where they’re put.
Then a woman in boots shows up at the edge of the sand and says the water doesn’t have a side.
Rue Bennett came back to East Highland because it’s home. She didn’t come back for trouble. She especially didn’t come back for a girl who looks at her like she’s a problem that needs solving — and keeps showing up anyway.
The town is changing. Developers are circling. The lines everyone’s been living by are getting harder to hold. And somehow, every time something shifts, the two of them end up in the same room.
They both have a reason for that. Neither of them is telling the truth about what it is.
Chrome and Saltwater is a slow burn set against the surfers-vs-bikers divide of early 1960s California — about two worlds that were never supposed to meet, a town that stopped making room for both of them, and two women who keep ending up at the same edge.
Series
- Part 1 of Always Return
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Madeleine Perez has everything. The name, the money, the company waiting for her like an inheritance she never asked for and can’t refuse. What she doesn’t have is a choice — not about the company, and apparently not about who she’s supposed to marry to run it.
She wasn’t looking for anyone the night she walked into that club. She especially wasn’t looking for a tall stranger from East Highland who didn’t know her name and didn’t seem to care.
Rue Bennett is sober, broke, and between places in every sense of the word. When Maddy calls her a week later with the strangest proposal she’s ever heard, Rue says yes for one reason: she needs the money. That’s all. That’s the whole thing.
It’s a simple arrangement. Temporary. Professional, almost. Neither of them is going to make it complicated.
They’re both wrong about that.
All That It Costs is a slow burn about a fake engagement, a real inconvenience, and two women who are much better at knowing what they don’t want than admitting what they do.
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do you ever get the feeling something bad is gonna happen?
something inevitable, unstoppable?
something you can save everyone from, but yourself?
IN WHICH Amethyst Rojas, the princess of East Highland, is thrown into a life she no longer wants
OR
Fezco O'Neill does everything in his power to protect her from it.
rest in peace angus cloud 🤍
fezco x femoc -
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Different one shots of different Scenerios...
Most wont be linked, but some might be. I will let it be known when they are linked.
1st one is 1st day of 6th grade/middle school...
Rue and Maddy meet for the first time. -
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Five years after East Highland, Rue Bennett is still running. Different city, different debt, same disaster — except this time the disaster has a DEA badge and a drug boss with an apple and a gun, and Rue is out of moves she hasn’t already used.
Maddy Perez is doing fine. She will tell you this directly. She has a job, a city, a plan — and a very specific policy about what she will and won’t do for money, which she will also tell you directly and with profanity.
What neither of them planned was the other one.
This is the story of two people who were never supposed to make sense, finding each other in the aftermath of everything, trying to figure out what redemption looks like when you’ve been running from it for five years.
come back to me (or don’t) follows Rue and Maddy through the events of Euphoria Season 3 — the chaos, the wreckage, and the thing neither of them saw coming.
Author’s note: Taking a break for now. Thank you for reading and supporting this story.
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Madeleine Perez did not come to Seattle to be impressed.
She came for the job — executive assistant to Ruby Bennett, CEO of BluTech, environmental engineer, widower. She’s seen the interviews. She knows the public version: composed, articulate, untouchable. What she isn’t prepared for is the private one.
Ruby Bennett is not difficult. She’s precise. There’s a difference — or so HR would like her to believe. What Madeleine finds instead is a woman who built an empire out of grief and has been running it at full speed ever since, because stopping would mean feeling. Everyone at BluTech has learned to work around her edges.
Madeleine Perez has not read that memo.
She doesn’t flinch. She doesn’t placate. And she has a strict policy against people who say one thing and mean another.
Still Waters is a slow burn about grief that performs as function, and the specific disruption of someone who simply refuses to be managed.
The world starts in black and white. Colour arrives slowly.
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“Well clearly not.” Rue had said too much already just from those three words. So much that even Fez had finally taken interest in the conversation.
“I-I just want to know if she’s okay.” They were not going to budge.
“Why?” Lexi questioned.
“Cause you know, Nate was like this huge deal for her.” She hesitated. Fuck.
“But like why?” Fez urged.
Rue doesn’t even know why she had bothered to diverge from the topic. Especially with Sherlock Holmes and Watson sitting next to her.
She also didn’t know why it was so difficult to just explain why. It’s not like anything happened that morning. But they were so close. Way too close. This would've been a completely different conversation had it gone their way.
“You guys are so fucking annoying.” Rue rolled her eyes at the curious couple. “Because Alexis, I don’t know if you forgot to pay attention to how she absolutely sucks the air out of my lungs every time she's around us.” She huffed, burying herself further into the couch.
